Gallery Guide: Ceramics At The V&A

I find teapots so cheering.

The cabinets in the Ceramics galleries at the Vand A contain armies of them along with shelves, high and long, of every kind of tile, bowl and vessel you could imagine. Some truly ancient, some highly contemporary and everything - and I mean everything - else in between.

(Good to know those Bauhaus folk took time out for a brew.)

And at the far end of the galleries are Richard Slee's beautiful but useless ceramic household objects. Made specifically for the gallery's fixed display cases, his exhibit is called 'From Utility to Futility'. 

It was probably the bright colours and cartoonish forms, but this display buoyed me - I've been in need of some humour. Ceramic hammer? Brilliant.

Garden Partners

"If you look at these chairs, they are mainly made of air, like sculpture. Space passes right through them."

Harry Bertoia

These Bertoia Side Chairs - lots of them by the way - 

now inhabit the garden at the V&A. 

They've been paired up with these 

equally lovely Eero Saarinen Tulip 

dining and side tables. 

Grand they look.

Gallery Guide: Quilts & More at the V&A

I've been wanting to visit the Quilts exhibit at the V&A and finally went with a couple of friends yesterday. It was actually a bit of a challenge to get a decent view of some of what was on display as it was extremely busy. Here's some of what else I saw whilst at the museum - the quilts will be at the end of the post.

The two puppets above are

'March Hare' & 'The Duchess' from Alice in Wonderland

and were made by Pelham Puppets Ltd between 1950-55. 

They were bought for the V&A's 

Museum of Childhood in Bethnal Green. They just looked
so great floating in their glass cabinets with those
nonchalant expressions. Adorable outfits too.

A 1931 afternoon dress (above) by 

Paris couturier Madeleine Vionnet.

This dress, which is made up of carefully

pieced sections, looked as if it were made yesterday.

So feminine.

The gown beneath the jacket (above) is called

the 'Delphos' dress and is by

Spanish designer Mariano Fortuny c.1920. 

The piece is constructed from panels of pleated silk 

which make the fabric elastic and allow it to follow

the contours of the body. This classically inspired 'free form' released

women from the constraints imposed by corsets and

was popular with the avant garde, artists and

intellectuals of the late 19th and early 20th Centurys.

Amongst those known to have worn Fortuny's 

gowns were Isadora Duncan and Sarah Bernhardt.

This sweet linen sailor dress c.1912-14

reminds me of Jenny Agutter in

'The Railway Children'.

Ah - the practical yet elegant

Claire McCardell. The wool evening gown

(above) from 1955 is an example of how this 

designer combined everyday fabrics 

with a modern silhouette. Perfect for

a drinks party at the Eames's.

Shoes With Character

Woven silk shoe, British 1720-30

Satin shoe, French or Italian 1770-85

Stencilled leather shoe, British c.1800

Striped cotton boot, British 1812-20

Satin shoe with appliqued ribbons & rosette, c.1860

Quilts

The more I think about this exhibition the more I want to return and take a closer look at what was on display - to think again about the people who crafted the quilts, the stories woven into them and the love and time invested in their making.

Some of the pieces were simply very moving either because of the context in which they had been made or because of the sentiment expressed within the finished piece. One of those which stood out for me was the quilt made by twenty young girls who had been prisoners during the second world war. 

The Changi Girl Guides - named after the jail they were in - produced this remarkable piece as a gift to their guide leader adding to it with whatever scraps of fabric they could get hold of and finally embroidering their names upon it. The very touching story of this quilt and its makers is written about here.

 Changi quilt detail via here

'Scenes from a Love Story' 1875-85 via here

Coverlet detail by Ann West, 1820 via here

'Liberty Jack' quilt by Janey Forgan, 2008 via here

I love the contrast of the multi-coloured stars bordered by plain navy hexagons here.

Bold and beautiful orangey-red and blue stripes.

Homely and traditional - a lovely bed covering.

If this is your cup of tea there are only a few more days to visit this exhibit - it closes on July 4th.

Gone Fishing

I went here for a browse.

I made a purchase which was very nicely wrapped.

This is what I bought.

These prints are from the
Liberty Art Fabrics/V&A Shop
limited edition collection which were
produced to celebrate the V&A's
quilts exhibition.
.

At £11.50 per metre they are a little

less expensive than the classic Liberty print range.

See here for the full set.

Close-ups of the ones I bought:

I will attemtpt to sew some of this charming fabric 

into something requiring only straight-line machining.
(Rookie seamstress.) 

I will - of course - post the results of my efforts.